| 石雕在建筑上的使用 |
| 添加时间：2017/5/24 15:35:23 浏览次数： |
| 石雕在建筑上的使用 The use of stone carvings on buildings 石雕可以看做是建筑的一种图腾。建筑图腾以石雕、壁画等各种形式出现，作为“房屋坚固”、“人身安全”的庇护物。到了文艺复兴时期，石雕开始以一种精神载体的形式出现在建筑中，欧洲16世纪以后的古典建筑大量使用圣经、神话中的动物、植物甚至神的形象来做檐口、梁柱、门额等处的石雕装饰。 Stone carving can be seen as a totem of architecture. Architectural totems have appeared in various forms, such as stone carvings and mural paintings, as "houses strong" and "personal safety". By the Renaissance, stone began to take the form of a kind of spirit carrier in the construction, the bible is widely used in European classical architecture since the end of the 16th century, the mythical animals, plants and even the image of god to do eaves, beams, the place such as MenE stone carving decoration. 这类图腾有时还会以独立意义的宗教道场形式出现，比如位于英格兰境内的史前巨石阵已不同于单个的实体图腾而是一个巨大的空间纪念“场”，这其实就是某种空间性的“精神庇所”。这种独特的“精神庇护”，使人类所信仰的神灵以具体的形象表现出来，通过艺术的处理满足精神上的需求。而雕塑通过拟人化的塑造，满足宗教中神话人物的真实性认识，又可以通过夸张、变形的手法结合尺度和比例的运用达到神秘、威严的效果，从而满足对宗教的神图，罗马图拉真凯旋柱图，天安门前的石雕华表。 This kind of totem sometimes take the form of independent significance of religious rites, such as Stonehenge in England is different from a single entity but a huge totem of spatial memory of "field", this is some kind of spatiality shelter "spirit". This unique "spiritual asylum", which allows the gods of the human being to manifest themselves in concrete images, satisfies spiritual needs through artistic processing. And sculpture by anthropomorphic shape to meet the authenticity of the myth characters in the religious understanding, and through exaggeration and deformation of the combination of scale and proportion used to achieve the effect of mystery, majesty, so as to meet the god of religion, trajan triumph in Rome column chart, huabiao, a stone in front of the tiananmen square. |
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