| 不锈钢雕塑在公共艺术领域的价值体现 |
| 添加时间：2018/10/27 16:45:13 浏览次数： |
| （一）融合环境方面 (1) integration of the environment 以城市雕塑为例，当雕塑家将城市作为背景，在现代建筑的映衬下展出雕塑作品时，雕塑与所处环境空间将达成一种特殊的融合。以芝加哥联邦中央大厦广场的《火烈鸟》雕塑为例。整个中央大厦广场大气而立体，引入《火烈鸟》这一雕塑作品后，雕塑本身的色彩与广场之间形成鲜明的对比，同时，雕塑作品的线条与中央大厦广场既有建筑物的线条发生交融，促进整个环境空间艺术价值的提升。 Taking the city sculpture as an example, when the sculptor takes the city as the background and exhibits the sculpture works under the modern architecture, the sculpture and the environment space will reach a special fusion. Take the statue of flamingos in the Central Mansion of the Federal Republic of Chicago as an example. The whole central building square is atmospheric and three-dimensional. After the introduction of the "Flamingo" sculpture, the color of the sculpture itself forms a sharp contrast with the square. At the same time, the lines of the sculpture work blend with the lines of the existing buildings in the central building square, promoting the enhancement of the artistic value of the entire environmental space. （二）营造空间方面 (two) building space. 从功能变化的角度来讲，公共艺术领域具有丰富雕塑功能的作用。将雕塑置于公共空间中之后，其所处环境空间将发生明显的变化。当人们近距离接触雕塑时，很容易产生一种空间剥离感，即从原有环境空间剥离出来，身体与精神同时转入由雕塑开辟出的新空间中，在发挥自身原有审美价值的同时，促使人们产生独特的艺术感受。以著名雕塑家奈德·史密斯的雕塑作品《上室》为例，该雕塑在由红色混凝土制成的柱状序列的基础上，引入棕榈树、国际象棋棋盘这两种装饰。当人们进入该雕塑作品营造出的空间范围后，象征休闲的棋盘、象征娱乐放松的棕榈树会促使人们产生一种安详的情绪，丰富该空间的艺术价值，并引发人们的思考与自省。 From the perspective of functional change, public art has a wealth of sculptural functions. When sculpture is placed in public space, there will be obvious changes in its environment. When people close contact with sculpture, it is easy to produce a sense of space stripping, that is, from the original environment space stripped out, the body and spirit at the same time into a new space opened up by the sculpture, in the play of their original aesthetic value at the same time, to urge people to have a unique artistic feeling. Take the famous sculptor Ned Smith's sculpture "Upper Room" for example, the sculpture is made of red concrete column sequence on the basis of the introduction of palm trees, chessboard two decorations. When people enter the space created by the sculpture, the chessboard symbolizing leisure and the palm tree symbolizing relaxation of entertainment will encourage people to have a calm mood, enrich the artistic value of the space, and arouse people's thinking and self-reflection. （三）与大众沟通方面 (three) communication with the public. 公共艺术领域为大众与雕塑之间的视觉、情感沟通提供了良好的环境基础。以著名雕塑家奥登伯格的作品为例，无论是广受好评的《巴塞罗那的火柴》，还是位于费城的《大衣夹》，都有着共同的特征—— — 他们都是世俗大众通用的日常用品。但与原型不同的是，雕塑家用独特的手法和艺术情感改变了它们的尺寸。在公共艺术领域中，当公众直面这些雕塑作品时，可将原型作为媒介，与雕塑作品之间达成视觉上的深入沟通，在为人们提供完美视觉感受的同时，为人与雕塑之间的情感沟通奠定良好的基础。 The public art field provides a good environment foundation for the visual and emotional communication between the public and the sculpture. Take the famous sculptor Audenberg's work for example, whether it is widely acclaimed "matches in Barcelona" or "coat clip" located in Philadelphia, have a common feature - they are common everyday necessities for the common people. But unlike the archetype, sculptures have changed their sizes with their unique techniques and artistic emotions. In the field of public art, when the public face these sculptures, the prototype can be used as a medium to achieve in-depth visual communication between sculptures, providing people with a perfect visual sense, while laying a good foundation for emotional communication between people and sculpture. 此外，公共艺术领域下大众与雕塑之间的沟通还体现在精神情感方面。以我国雕塑作品《深圳人的一天》为例，雕塑中 18个栩栩如生的青铜人像包含了普罗大众的特征。从该雕塑作品的诞生流程来看：寻访小组成员通过随机化原则分别自深圳不同阶层的人群中，找出 18 位陌生人，在取得其同意后，由雕塑家将其翻制为等大的青铜人像。正是源于这一艺术作品的真实性，人们在欣赏《深圳人的一天》这一作品时，各个阶层的人都会从这些青铜人像中发现自己的影子，在情感思想上与雕塑达成共鸣。从某种程度上讲，这种精神上的沟通实现了雕塑价值的最大化。 In addition, the communication between the public and the sculpture in the public art field is also reflected in the spiritual and emotional aspects. Taking the Chinese sculpture "A Day of Shenzhen People" as an example, 18 vivid bronze figures in the sculpture contain the characteristics of the general public. From the birth process of the sculpture, the members of the visiting group found 18 strangers from different strata in Shenzhen through randomization principle. After obtaining their consent, the sculptor converted them into large bronze figures. It is precisely because of the authenticity of this work of art, when people appreciate the "Shenzhen People's Day" this work, people from all walks of life will find their own shadows from these bronze portraits, in emotional and ideological resonance with the sculpture. To a certain extent, this spiritual communication has realized the maximization of sculpture value. （四）转换艺术品功能方面 (four) conversion of art function 不锈钢雕塑作为艺术品传统功能仅为艺术欣赏功能。以 18 世纪的欧洲为例，当时的雕塑仅仅是上流社会贵族的私有物，象征着贫穷、低俗的普通民众很难有欣赏雕塑的机会。而在公共艺术领域中，不锈钢雕塑的传统艺术欣赏功能被转化为装饰公共空间景观、娱乐、缓解压力等多种不同的功能。不锈钢雕塑脱离了限制性的私人化艺术欣赏功能，而转向为大众服务。单从功能类型的变化来看，不锈钢雕塑在公共艺术领域的价值得到了良好的拓展。 Stainless steel sculpture, as the traditional function of art, is only an art appreciation function. In Europe in the 18th century, for example, sculpture was only the private property of the aristocracy, symbolizing that poor, vulgar ordinary people had little opportunity to appreciate sculpture. In the field of public art, the traditional art appreciation function of stainless steel sculpture has been transformed into decorating public space landscape, entertainment, relieving pressure and other different functions. Stainless steel sculpture has broken away from the restrictive private art appreciation function, and has turned to serve the public. From the change of function type, the value of stainless steel sculpture in the field of public art has been well developed. |
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